| Time |
Annotation |
Layer |
|
0:47
|
Cut to black but retain diegetic sound from the police radio |
Editing and Sound |
|
0:12
|
New scene and shot of Jimmy carried by a female police officer. It is a medium shot of her back turned and tight bun, but a close-up of his face over her shoulder. The shot is high key lit, a sunny day outside of the motel room. |
Cinematography and Editing |
|
0:05
|
Nondiegetic piano track begins note by note |
Sound |
|
0:13
|
Loud noises from the police radio |
Sound |
|
0:40
|
Jimmy: I have a poem
Still in close-up in the police cruiser through the window |
Cinematography and Dialogue |
|
0:11
|
Sound of a loud knock on the door. Lisa jumps, indicating it is likely the police coming to arrest. Cut to next scene with knock as sound bridge. |
Sound, Narrative, and Editing |
|
0:30
|
The door to the cruiser closes and the camera zooms in on Jimmy in the crusier. We can see reflections of the police officer on the cruiser's window like a palimpsest over his face. |
Cinematography and Narrative |
|
0:01
|
Low key lit medium shot of Lisa in the motel room in upstate New York. |
Cinematography and Sound |
|
0:16
|
Tracking shot of Jimmy being carried to a police cruiser and re-enter the sound of a non-diegetic piano note |
Sound and Cinematography |
|
0:47
|
Jimmy repeats plaintively: I have a poem. |
Dialogue |
|
0:22
|
Police officers says: We'll get you an ice cream in just one second. She places Jimmy into the back of the police cruiser. |
Dialogue and Narrative |